To What Extent Do You Think Was a Revolutionary Sculptor Essay Example for Free

To What Extent Do You Think Was a Revolutionary Sculptor Essay Kritios was an Athenian sculptor, whose style and technique during the late archaic period helped revolutionize the archaic period into the Classical period. He has two main statutes that I am going to examine the first of which being the Kritios boy. Also referred to as â€Å"the first beautiful nude art† it is very important as it is a precursor to the later classical sculptures. It depicts a young boy in an idea form (so sculpted in the nude if they where in the ideal form) and is possibly a reflection of the Athenian cultural obsession with Pederasty. Yet it is more important in the sense that it smashes the Korous pose. The Kritios boy is so important as Kritios has mastered a complete understanding of how the different parts of the body act together, the statue supports the weight on the left leg meaning that the right one is bent at the knee and relaxed, and forces a chain of events as the pelvis is pushed diagonally upwards on the left side this causes the right buttock to relax and the spine to be placed in an â€Å"S† shaped curve causing the shoulder line to dip left to counteract the action of the pelvis. his stance is referred to as contrapposto, and the Kritios boy is one of the earliest examples of it mastered. (One of the greatest examples of contrapposto in history was during the neoclassical period ‘David† by Michelangelo, 1504) but this could not have been achieved without Kritios. The kritios boy also shows a number of other innovations that distinguish it from any of the Archaic Kouroi or anythi ng from the Archaic period. The muscular and skeletal structure are depicted with an unforced life-like accuracy as well as having the rib cage naturally expanded. Almost as if he is breathing in. the statue’s hips are relaxed and another reason why it is revolutionary in the break though into the classical period is the â€Å"smile† of the archaic statues, has been changed to accurate lips and the face is completely emotionless. The second Kritios statue I am going to look at was not just made by him, He and Nesiotes combined their sculptures of Aristogeiton and Harmodius to make ‘The Tyrannicides’ (477-476BC). These statues were a replica of the climax of the story about the two men who killed the Tyrant Of Athens. The Tyrannicides story is told through their stances and the objects they were holding. Aristogeiton (Eromenos); the statue sculpted by Kritios was the older man and the one with all the experience and wisdom who has a beard. He managed to show this by the way Aristogeiton was standing with one leg in front of the other at a defence angle. His arm flat out holding a knife to show his weapon. That he used to stab Hippias to death, some drapery over his arm is shown, and it appears to be being used as some kind of defense, this illustrates that he is experienced. Once again Kritos has used details and the realism to help push sculptor and realism forward with Aristogeiton’s muscles, stance, facial features. As well as beard that course stands out (again illustrating how he is wise). Both statues have frontal emphasis with both having a leg in front and their attacking arms pointing out to the front. The use of frontal emphasis almost puts you in Hipparchus’ shoes because it is what he would have seen when he was getting attacked. Making this a very threatening and violent image. Aristogeiton’s partner Harmodius was sculpted by Nesiotes who followed Kritios’ example and decided to base Hamodius on the opposite of Aristogeiton and make him extremely inexperienced and reckless. Because of his youth, he lacked the experience that Aristogeiton had, therefore his pose was very reckless and he is open to be attacked as his arm in the air exposing the rest of his body,. These men were seen as heroes for the way they killed the King who was more of a tyrant, which opened up Athenian democracy. And they have been immortalized and shown as very strong powerful figures. Again the statues are both very realistic in the way all the joints and body work together (the fact more weight is on one left leg this causes the pelvises to rise ect) In conclusion I feel that Kritios was a revolutionary sculptor as he mastered how a human figure standing with most of it’s weight on one foot causes a compelete change throughout the body as the human form does causing his statues to look allot more realist. This caused a massive step forward in the art and ability to create lifelike sculptures that completely makes the stiff kouroi of the archaic period completely obsolete.

Geoffrey Chaucers The Canterbury Tales :: essays research papers

The Canterbury Tales by Geoffrey Chaucer, which was published in March 1981 by Bantam Books in New York, New York is a funny piece of work about twenty- nine characters and their stories while on their way to Canterbury. The twenty-nine characters have to tell two stories on their trip to Canterbury. In the Wife of Bath tale, the wife of bath tells of a tale of a young knight, the central character in the story. After he raped a woman, he must roam the countryside in search to the answer to the question â€Å"what is it that women most desire?† This is the plot, for he must find the answer in order to live. The knight only has one year to get to answer this question and then he has to return to King Arthur’s court and await his sentence. The setting is in King Arthur’s court when a young man saw a pretty maiden and raped her. The King was going to sentence him to death but the Queen decided to give him one year to answer the question . The story is told from the Wife of Bath’s point of view for she is narrating the story. So the conflict, being that he has to find the answer, is established. The knight’s journey does not go well. Finally on the last day that he has, he comes up to a group of women, as he approaches they disappear and an old woman appears. This part is the climax of the plot because it is when the knight finally knows the answer. The old woman says that she knows the answer but she will only tell it to the Queen and in return she must do anything that she asks of him. The knight agrees. Finally, while in the presence of the Queen, she tells her that the answer to what all women desire is sovereignty over their husbands. No one disagrees with her answer and so the old woman asks that she be married to the knight. The knight having sworn to do whatever she pleased reluctantly agrees. But this is not the resolution. It happens later on while on their wedding night. The knight is somewhat disgusted and so the old woman goes on to lecture him on the trivial nature of appearances. She tells the knight whether he would prefer to have a woman ugly by day, yet loyal and faithful the rest of the time or to be beautiful and take his chances the rest of the time.

Study of Brand Loyalty Towards the Organized Retail Stores

Insights into Indian English Fiction and Drama Edited by Capt. Dr. Arvind M. Nawale Access -An Academic Consortium Publication ISBN No. 978-81-921254-3-5 Aspects of Campus Novel in Makarand Paranjape’s The Narrator: A Novel Shridevi P. G. The Narrator: A Novel is the well-known critic Makarand Paranjape’s debut novel, published in 1995. It is a mishmash of several stories woven together and presented to us from view-points of several writer-narrators or character- narrators.This novel has attracted considerable interest in the academicians because of the unique narratology of the novel which is different from the rest of the Indian novels written in English. The novel is experimental, and breaks away from the conventional methods of story-telling used in Indian English Fiction. Throughout the narrative, the readers notice that there is little attempt to create an illusion of realism or naturalism. 1 With the use of multivoiced and polyphonic narration, as in the great e pics Ramayana and Mahabharata, the writer tries to relocate himself with the ancient Indian tradition of the narratology. The story of the novel can be divided into three main threads: The first is the story of Rahul Patwardhan, lecturer in English at Asafia University, Hyderabad who is suffering from creative schizophrenia since his childhood and, in the process has a libidinal alter ego, Baddy. The second is the story of Badrinath Dhanda, who comes out of Rahul through emanation. The final thread is that of the movie script, Manpasand. Campus novel is a kind of novel which originated in the West but is emerging as a very prominent sub-genre in Indian English Fiction.As David Lodge, a well-known practitioner of this sub-genre opines, Campus Novel is mainly concerned with the lives of University professors and junior teachers. 3 The present paper attempts to explore the aspects of campus novel in this novel. The novel centers around Rahul Patwardhan who is a lecturer in English at t he Asafia University, Hyderabad. His reputation as a lecturer is displayed when he meets his Head of the Department in the novel. The Head of the Department does not doubt him when he lies; asking for leave for four days on the pretext of illness and reading accepts it.This is because, this type of aberration was a recent development in Rahul’s character, and is therefore unknown to the Head of Department. The author presents the characteristics of a good lecturer through Rahul Patwardhan’s character. He is responsible about his duties as a lecturer: †¦. tomorrow was Monday. I had to teach. It was the beginning of a new week. I couldn’t afford to have a very late night today. But meeting him tomorrow would screw up Tuesday’s schedule. [TNAN 67] His anxiety to complete the syllabus is also depicted in the novel.He abstains from listening to the gory details of incest when Badrinath is narrating his story. When Badri goes on describing how the ugly wom en are better partners then the beautiful ones, Rahul is unable to contribute his view as he is a loyal husband to Neha and thus had slept only with her. It is the curiosity generated in him by his literary sensibility or on humanitarian inclination that he expresses his wish of meeting prostitutes. He thinks, What were these women like? What did they feel? What was the meaning of their lives†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦I was interested in getting to see them at close quarters.I told myself I didn’t want the sex, but only the experience of meeting a prostitute, of talking to her, getting to know her. [ TNAN 168] Rahul immediately revolts at Badri’s mention of co-habition with college girls. â€Å"For heaven’s sake, Badri, I teach them myself†. â€Å"You never know†, he continued, â€Å"you may even meet one of your students! † â€Å"Please, Badri, stop it†. [TNAN 168] This conversation indicates Rahul’s strong professional ethics. He h as also followed certain principles in life which are unfortunately jettisoned after his acquaintance with Badri.He leaves a lot of food on his table, much against his principle of not wasting food He starts lying and finds people believing it easily He consumes beer He cohabits with a prostitute. This shows that he had been morally corrupted to a certain extent. This task of corrupting Rahul had been attempted several times by Baddy but all of them had been found fruitless. But years later Badri proves successful in this. The Novel sketches Rahul’s academic progress and his strict regimen for his Ph. D. , degree quite conspicuously. He would religiously enter the library every morning and work till the evening, often skipping his lunch.Sometimes, I wondered if I would ever get out of the library alive. I mean, I was losing all sense of time. I thought to myself that one day they would find my bones in the musty corridors, resting somewhere among the shelves full of books. [T NAN 75] He describes his guide as a ‘cool guy’ whose motto was â€Å"Do what you like, but show me the final draft within five years†. [TNAN 75] The under note of sarcasm does not go unnoticed in this line which highlights the negligence or failure of some guides to train their research scholars. The procedure of Ph. D. degree is also briefly explained.He says, â€Å"My five years in Hyderabad passed. I submitted my thesis in October 1986; the viva was held next year in April†. [TNAN 75] The whole description of this kind reminds one of Saros Cowasjee’s novel Goodbye to Elsa where similar kind of description of the research methodology is found. Rahul also writes an introductory guide to fiction entitled â€Å"Indian English Fiction – Theory and Practice† the first 500 copies of which are sold out in six months and it then goes into second edition. The relation between colleagues also forms an important aspect of the campus.Here this i s displayed through Rahul’s relationship with Raghavan. Their addressing each other with abusive words indicates their intimacy. Both were doing doctoral research. Though Rahul is younger of the two, he had got the job before Raghavan and thus was technically senior to him and which made Raghavan grumble. â€Å"We were, in a sense, rivals, but had never stopped being friends†. [TNAN 148] One interesting point found here is the absence of professional jealousy which is very common among colleagues and which is found in most of the campus novels like M.K. Naik’s Corridors of Knowledge, Ranga Rao’s The Drunk Tantra, Rita Joshi’s The Awakening –A Novella in Rhyme. Students are the inevitable and the most significant aspect of campus novels. Even in this novel, the behavior and misadventures of students are pictured in an amiable way. Rahul presents two sets of students – his classmates when he was studying and his students, after he becom es a lecturer. Rahul joins Tambaram College, which had a history of 150 years but had become a semiwild campus with the kind of behavior of the students.Music and drugs were the two things which dominated the college. â€Å"Bunking classes, acting wild, breaking rules, and doing the unconventional thing were considered hip. There was nothing worse than being a good boy; it was the most despicable way to live†. [ TNAN 55-56] The students think of themselves as the lost generation, India’s equivalent of the hippies. The senior students spent most of their time smoking and listening to music. The mention of a ‘drunken brawl’ among students is made in such a way that it is not very uncommon in colleges. In one such quarrel a student was stabbed.An instance of suicide committed by a student is also pictured. He had consumed downers and jumped off the top floor of the International Students’ Hostel because he had stolen a large sum of money from one of hi s friends and had blown it all on drugs. With these instances the novelist seems to be indicating the lack of discipline and control among the students. The novelist then describes the drinking bouts of the students and the way they acquired booze. The first of the two ways of getting booze was through someone in the Air Force Station which was quite near the college.When this became much difficult by the Commanding Officer’s instructions, the students were left with the second and the more strenuous way. The students would travel five long hours to Pondicherry and would lounge about the beaches the whole day, drinking and chattering continuously on all sorts of topics. They would then take the night bus back with one or two bottles of rum with them. They would try to trick the cops by using a very cheap bag and keeping it away from themselves. So that even in a surprise check they wouldn’t get caught.And if by chance they get caught redhanded, they would simply give i t away to the cop so that he would let them go. The students did not even hesitate to start ‘visiting’- a word used by the author for visiting a prostitute. And they were available right outside the college gates after dark. About affairs, the writer says that only rich guys could afford them by giving expensive gifts to the ‘chicks’ from the women’s college. Love affairs are an indispensable aspect of the campus and so forms one of the aspects of campus novel. But most of the campus novels exhibit a very frank treatment of sex. few examples are- Saros Cowasjee’s Goodbye to Elsa, K. M. Trishanku’s Onion Peel, Rani Dharker’s The Virgin Syndrome, etc. The Narrator also depicts sex quite freely. The novel abounds in extramarital relationships, child abuse, incest, sodomy, mental adultery, voluptuousness and pure love. Rahul’s students are brought in only in one scene but this one episode reveals a lot about the students of th e present generation. When Rahul enters 15 minutes late to the class, giving the reason that he had a late night, some students titter taking his words as an indication of a private encounter.Many students had left for coffee not to return to the class. Their lack of patience and audacity is expressed in the words-â€Å"Oh Sir, they went of for coffee when you didn’t show up until ten-fifteen†. [TNAN 96] and today’s teachers also seem to accept this kind of behavior. The novel can also be considered Crit-Fiction. â€Å"Crit-Fiction† is a kind of novel which is written by a lecturer or a professor. In the recent years many professors have started writing novels. A few examples of such Indian writers are Manju Kapoor, M. K. Naik, Amitav Ghosh, Anita Desai, Meena Alexander and others.As Elaine Showalter puts it, the novelist before writing his novel should create or imagine a world which has some kind of logical relation to the real world, within which he ca n explore the themes that interest him through the narrative. The university or college provides such a world ready-made – a small world which is a kind of microcosm of the larger world. An author’s writing will be realistic if it is inspired by his experience. The author Makarand Paranjape has been able to write about the campus so lucidly because he was a professor and has the first-hand information about the aspects of campus.It is quite interesting that in the novel The Narrator, the protagonist, Rahul Patwardhan is also a lecturer and he too is a writer. Finally one cannot afford to overlook the very unique and exalting theme of the novel which is the difficulty of writing a work of art. Rahul had such an extensive knowledge about the narratology or the art of the narrative, that he had become an inhibiting influence on Baddy, the other half of his split personality, as he shot down Baddy’s attempts of writing narratives. I knew too bloody much about the th eory to let even my imagination do the actual writing. TNAN 75] He discusses his difficulty with Dr. Jenny O’Sullivan, a visiting British Council scholar, who had come to visit Hyderabad, researching on a book to be set in India. I am too critical; I cannot get to put pen to paper without scratching out what I’ve written. [TNAN 258] By O’Sullivan’s suggestion, he finds out the solution: Every attempt at creation is founded upon a similar act of deconstruction. Writing, thus, is a cruel activity. †¦Ã¢â‚¬ ¦Before one writes one had to give birth to a writing self.This is the self which will then invent characters, situations, and themes. [ TNAN 269] The novel The Narrator: A Novel has many aspects of campus novel in it like the kind of life lead by a lecturer, his loyalty and involvement in his academic pursuits, his struggle to produce substantial literary works, his relations with his colleagues and students; the behavior of the students, their misad ventures; the lavish lifestyles of students who are not disciplined either by the parents or the authorities in the college, their love affairs etc. re delineated in a very conducive way. The protagonist’s views both as a student and then as a lecturer are involved in the novel. Makarand Paranjape has been able to throw sufficient light on all these aspects of campus life as he has been a professor and very well-acquainted with the campus. So with the points discussed so far, The Narrator: A Novel can be considered a campus novel. Works Cited 1.Rahul Chaturvedi, â€Å"Self as Narrative in The Narrator: A Novel: A Narratological Perspective†, The Criterion: An International Journal in English, ISSN 0976-8165 Vol. II. -Issue 1, 2011. 2. http://www. makarand. com/reviews/ReviewsofTheNarrator. html. 3. http://is. muni. cz/th/66512/ff_b/Bakalarska_prace_24. 4. 2006. doc 4. Makarand Paranjape, The Narrator: A Novel, (New Delhi: Rupa & Co. 1995), Hereafter cited as TNAN with page nos. in parentheses. 5. Showalter, Elaine- Faculty Towers: The Academic Novel and its Discontents; Oxford University Press, 2005.

Can Art Change the Way We View the World - 1554 Words

Can Art Change the Way We View the World? Susan Agee Classics in Philosophy of Art - P346 Gregory Steel Fall 2012 For centuries, art has been interwoven throughout the history of mankind. From primitive carvings on cave walls and ancient Egyptian hieroglyphs, to the Sistine Chapel and the Mona Lisa, artistic creations have enthralled the human race. Art may be a window to the creator’s world; it has potential to instill desire in the viewer to do something they have never done, be somewhere they have never been and inspire to fulfill a dream or goal. Additionally, Art may possibly allow the artist to illustrate their own perception of a place or even attempt to deceive the viewer. However, to truly understand how we see the world we†¦show more content†¦To illustrate this idea that perceptual experience may be different than what is real, consider the optical illusion. Artists such as Charles Allan Gilbert and M.C. Escher were masters of the craft of illusion in art. For example, in 1892 Charles Allan Gilbert drew a picture that he called â€Å"All is Vanity†. This piece o f artwork is an ambiguous optical illusion using a skull, which has been the object of many pieces of this type, where we see more than one thing in the picture. If we view the overall image, we see a human skull. When we focus on the details of the picture, we see a woman looking in her vanity mirror. If we look at a close-up, cropped image of All is Vanity, we dont see the skull we just see details of a woman sitting at her dressing table. However, if we expand our view, even without seeing the entire image, once we know were going to see a skull, we cant help but see it. Also, when we look at the picture from a distance, because of all the black surrounding it, once the details of the woman get distorted we still only see a skull. Additionally, M.C. Escher used his expertise in mathematics to create his optical illusions in art. 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